Psychedelic Rock is arguably the key genre in Rock history. Bred from the 1960’s counterculture devoted to taking psychedelic drugs in order to have a heightened sense of reality through distortions, vibrations, vivid colorizations and lucid dreaming, the culture tried to replicate LSD effects through vibrant pictures and sounds.
Psychedelic Rock is characterized by heavily effected instrumentation. Reverb echoes incessantly, tremolo replaces standard lead guitar lines, while distortion buzzes throughout. Lyrics attemptedto relay visions and feelings produced of these cosmic inner journeys.
The sound was pioneered from the Beatles, introduced up by such bands as The Yardbirds, Cream, Pink Floyd as well as the Jimi Hendrix Experience. The group primarily caused by inventing the definition of Psychedelic Rock is the Austin, TX based The 13th Floor Elevators.
The movement hit its peak together with the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, The Rolling Stones’ Their Satanic Majesties Request, Pink Floyd’s The Piper at the Gates of Dawn, all eventually climaxing in 1969 at Woodstock, where psychedelic acts for example Jimi Hendrix, Janis Joplin and Santana played.
Many events led to the decline in interest in Psychedelic Rock. LSD had been declared illegal, the link between Sharon Tate’s murder by Chapman along with the Beatles’ “Helter Skelter” led to a “hippie backlash”. “Acid casualties”, or people negatively impacted by hallucinogens and drugs generally, became posters for avoiding psychedelic experiences: Syd Barrett’s insanity, the deaths of Jim Morrison, Jimi Hendrix and Janis Joplin triggered a more raw “back to basics” trend in Rock.
However, as a result of selling point of Psychedelic Rock, new genres happen to be formed, including Progressive Rock and Metal. Musicians who was raised paying attention to Psychedelia still wished to take components from the movement, and included their most favorite aspects inside their respective sounds.
From the late 1970’s, bands primarily from the Post-Punk scene strived to bring back Psychedelia, blending the distortions, reverb and phaser (et al) with all the upbeat dance beats of latest Wave. Bands including Siouxsie as well as the Banshees, Echo and the Bunnymen, The Soft Boys, and The Church utilized the 60’s nuances to full 80’s effect.Hence, Neo-Psychedelia came to be.
The popularity of such bands bled to the 90’s, with all the Shoegaze of My Bloody Valentine and also the Jesus of Mary Chain carrying over from the 80’s, the emergence of The Brian Jonestown Massacre, The Dandy Warhols, along with the Electric 6 Collective like the Apples in Stereo, of Montreal, and Neutral Milk Hotel. Neo-Psychedelia can basically be summed up as any sort of music incorporating Psychedelic elements within its songs.
True Psychedelic Rock is untouchable, having ended with the decline of the counterculture. If a person would write original songs from the Psychedelic Rock style those songs can be Neo-Psychedelic.
Psychedelic Music am powerful in the statement, primarily through its promise of experiencing heightened art, that it will continue to dominate our musical trends even now. And I’m willing to bet that it’s going to never fizzle out entirely.
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