It is an interesting fact that usually most widely used subculture is cooked up by somebody who seeks profit only, and after that is fed to a hungry young crowd of fans. It’s not always true in Japan, though. The art is for the art’s sake is what comic market followers are probing for.
Yoshishiro Yonezawa, a novelist, critic and a passionate supporter of popular manga subculture, created a solid idea of founding a business, a market which will be open for all your non-professional manga artists who form their very own circles called doujinshis to create manga mimic artwork and magazines (which can be called doujinshis, too). The theory became very well liked as Comiket, the greatest comic market on earth, is held in Japan each for several days uninterruptedly every time during winter along with summer. There are more than 35 thousand circles collaborating as well as over half one million attendees.
This is a space where freedom of expression is preached over a major, and organizers never wanted so large profitable with their creation. Before Comiket, young people who studied in secondary school or university, taken part in comic markets as amateurs, and ceased to sign up after graduation. But also in mid-seventies this changed drastically. It had become not only a hobby, but a lifetime passion, as many artists got appreciation and followers because of growing interest in doujinshi phenomenon. There are many than 2000 doujinshi markets taking place in Japan each and every year, and Comiket is certainly the most used one.
Now the idea have spread far beyond Japan as comic markets opened in Taiwan, Korea, Hong Kong, China as well as Usa. The number of doujinshi circles mushroomed as markets provided great opportunities to get a many amateur artists and mangakas (manga artists).
In the beginning the predominant section of doujinshis creators were women, about eighty percent. In the 1980s more males became interested, now the ratio appears to be favor female artists only slightly.
We conclude that doujinshi is a visual cultural phenomenon that is shaped mostly by youth, yet its meaning and consequences are of global importance.
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