It is really an interesting undeniable fact that usually hottest subculture is cooked up by somebody who seeks profit only, then is fed to some hungry young crowd of fans. This is not forever the situation in Japan, though. The skill is for the art’s sake is exactly what comic market followers are yearning for.
Yoshishiro Yonezawa, a novelist, critic along with a passionate supporter of popular manga subculture, came up with a concept of founding a business, an industry which is open for all you non-professional manga artists who form their particular circles called doujinshis to produce manga mimic artwork and magazines (which might be called doujinshis, too). The concept became popular as Comiket, the greatest comic market on earth, is held in Japan every six months for several days back to back whenever in the wintertime and in summer. There are many than 35 thousand circles participating and also more than half one million attendees.
It is a space where freedom of expression is preached on the large scale, and organizers never dreamed of so large a success of these creation. Before Comiket, young adults who studied in high school graduation or university, taken part in comic markets as amateurs, and ceased to participate after graduation. But also in mid-seventies this changed drastically. It came to be not just a hobby, but a lifetime passion, as numerous artists got appreciation and followers because of a growing popularity of doujinshi phenomenon. There are many than 2,000 doujinshi markets happening in Japan each year, and Comiket is definitely the most used one.
The actual idea have spread far beyond Japan as comic markets opened in Taiwan, Korea, Hong Kong, China and in many cases U . s .. The quantity of doujinshi circles mushroomed as markets provided great opportunities to get a large number of amateur artists and mangakas (manga artists).
At the outset the predominant a part of doujinshis creators were women, about 80 %. In the 1980s more males became interested, now the ratio generally seems to favor female artists only slightly.
We conclude that doujinshi can be a visual cultural phenomenon which is shaped mostly by youth, yet its meaning and consequences have global importance.
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