Sabrina Ho looks to Macau art fairs and auctions to diversify economic climate from casinos

As pressure grows on Macau to locate new causes of revenue, scion of casino dynasty imagines some other future for that other SAR
Sabrina Ho Chiu-yeng does what she will to help Macau diversify. The 26-year-old daughter of Stanley Ho Hung-sun could possibly be also known for gracing society and entertainment pages, but also in January she organised the 1st Macau sales by China’s state-owned Poly Auction and then in November held her very own annual hotel art fair, having already launched an exhibition to advertise the work of young art graduates in September.


“Macau is beginning to change,” she tells The Collector. “We don’t wish to rely just about the gaming industry. We wish more families to come here for holidays, we would like to boost our cultural and inventive industries.”
This is a politically correct view for that daughter of the casino magnate. Macau is in the cross hairs of Beijing’s war on corruption and capital outflow. The central government started urging the city to stop its obsession with the gaming sector, the taxes from which pay for most public expenditures, back through the boom years, in the event the “build it and they’ll come” mentality ruled the casino industry. Today, mainland policies to discourage high rollers coupled with a slowing economy have gone up pressure to succeed to locate new revenues.
Fundamental change continues to be slow to come. Five casinos have opened since 2012 and much more take presctiption the way, including two from branches of the Ho empire – the Grand Lisboa Palace, led by Ho’s mother, Angela Leong On-kei (Stanley’s so-called “fourth wife”), and MGM Cotai, headed by Casino tycoon daughter‘s half-sister Pansy Ho Chiu-king.

So can be Sabrina’s cultural endeavours all just a bit of soppy pr for that clan?
Well, China’s biggest ah is treat­ing her seriously, and hopes her youthful energy and family connections can help it get into a brand new and wealthy market where no international house includes a presence. In return, Ho says, sherrrd like the auctions to help attract tourists and perhaps let the city’s 600,000 residents to formulate a greater portion of an interest in culture. The partnership, called Poly Auction Macau, is 51 percent owned by Poly as well as the rest by Ho’s company, Chiu Yeng Culture.
Ho was raised flanked by art and other collectables owned by her parents but she actually is fairly new for the auctions business. After graduating having an arts degree from the University of Hong Kong, in 2013, she labored on the branding and marketing side of the family’s hotel and property businesses. “But I favor art and i also asked Poly basically could work in your free time in their Hong Kong office, to understand the auction world,” she says.
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